anatomy of a painting [2]

So this is the new stage for the painting shown last week or so. This is a probing period, and like I said, I ditched the photocopy you saw in the last image. I like to attack the canvas(linen) at this point in the process with as much paint as I can reasonably manage. This is always, a wet into wet situation, rough, fast handling with highly charged colors. If I'm doing it right, I'm combining as many colors as I can at once. Of course there is a pre-set of colors, that are quite considered for mood, tempo and scale. I trowel these on and work the surface for a few hours - playing the drying times of each color - manipulating the high oil density colors against the more absorbent colors.
The results, if I'm on my game are that within the drying process I get rewarded with some encaustic type areas along with passages that feel geologic, and reflective. What I'm looking for here is a topography that will lead to other decisions. Lately, I am also concerned with the smoothness of the surface, and this seems to be pushing me towards and almost c-print quality.

Also, I want to have a certain freedom with the materials that can at times overwhelm me physically. If my arms and hands are not fatigued and aching after this stage, then I haven't fulfilled my obligation to get as much of my physical presence into the piece as I should. For me this is critical at this point in the process because I need to feel a commitment to and from the surface before proceeding into more complicated waters.

This "second stage" may repeat itself a few times until the skin of the canvas feels right, this skin being critical to how the paint glides in future passes. The glide has everything to do with how the colors combine and mutate seamlessly. Another critical aspect besides an internal commitment, is somehow getting a light to present itself. Light is very important to me and I need to have a source developing immediately upon covering the ground layer. This isn't necessarily directional light but should be evident throughout the surface in this foundational stage.

So I think I'm pretty sure about where this is going next, and I have a maquette or two in the wings. I should have a new update in a week or so on this one.

birth of the CUIL

So the new search engine CUIL just launched - crashed- and reloaded.

From the NY Times:

SAN FRANCISCO — In her two years at Google, Anna Patterson helped design and build some of the pillars of the company’s search engine, including its large index of Web pages and some of the formulas it uses for ranking search results.

Ms. Patterson left Google in 2006 to found Cuil. The new company has other prominent ex-Google employees, including Russell Power, who worked with Ms. Patterson on the large Google index, and Louis Monier, a former chief technology officer at AltaVista, a pioneering search engine. Cuil, which has about 30 employees and is in Menlo Park, Calif., has raised $33 million from venture investors.

I checked it out (searched myself of course) and there seem to be the obvious bugs and such but I do like the design. This could be promising and that is good news to all of us embedded into Google.

hot summer looks

Looks like Goth may finally be getting a much needed image update after 30 years!

Check out all the jokers at Comic Con..



image: wired

making us proud

I sincerely hope that you had a chance to watch and listen to the Obama speech in Berlin today.
It was incredible. I mean a hundred thousand people or more. An endless sea of people, a rapt audience. Even Obama faltered on his words a couple of times. Who wouldn't with that many eyes upon you? It was impressive and presidential and uplifting and clear. I actually got choked up. This is what leadership looks and sounds like. This is what free people should aspire to. As Americans we should be very proud of the fact that man speaks on our behalf - and relieved. Truly awesome.

Of course, CNN promptly plants the seed that this success and welcome by so many in Germany may be a bad thing. The bullshit never ends with the media.

believe it...?

FORMER NASA astronaut and moon-walker Dr Edgar Mitchell - a veteran of the Apollo 14 mission - has stunningly claimed aliens exist.


our world unravels a little more, not to mention this little ditty about Flight 93 being shot down via the war crimes trial of Bin Laden's driver...



image: the famous Lubbock Lights

debts to pay

The future for young Americans (18-35 set) does often look and feel bleak in economic terms. We talk alot about the financial struggles of being an artist but it really is a much wider net. Financial insecurity for young people is the core of American economics. It is a perversion of the highest order for the world's wealthiest nation. Take a look at some statistics below and realize who you must vote for in November and the importance of getting involved anyway you can locally and at the State level.

via TomPaine.com:


A poll done for Qvisory, an online advocacy organization aimed at helping young adults manage economic and lifestyle issues, revealed that the results of conservative economic policies have taken a severe tool on people between the ages of 18 and 35. In the Greenberg Quinlan Rosner Research poll :

• Fifty-five percent said that their finances, the economic squeeze and money are their biggest problems. Young people simply do not believe they have enough money to keep pace with the cost of living.

• Forty-eight percent of young people worry frequently about making ends meet, and another 38 percent worry at least occasionally about making ends meet. Thirty-seven percent of parents also worry frequently about their children being able to make ends meet.

• The percentage of young people holding almost every form of debt, other than mortgages and auto loans, is up from 2007. That includes credit card debt (52 percent, up from 49 percent), student loans (37 percent, up from 31 percent), unpaid medical bills (28 percent, up from 23 percent), loans from parents (20 percent, up from 12 percent) and payday loans (6 percent, up from 4 percent).

• A small, but significant, minority report having their phone, cable or utilities cut off because they failed to pay their bill (19 percent) or have had their credit revoked, including a repossession or card cancellation (15 percent), in the last year. A large number of young people say they only pay the minimum monthly amount on their credit cards (57 percent) or that they have paid a late fee on a card (36 percent) in the past year.

now consider how the "drunken" Wall street cronies have fared over the last 20 years under predominantly GOP leadership. A group that not only has consolidated unprecented wealth, but is currently being bailed AGAIN by the taxpayer to the tune of billions. Can some one remind me why regulation is bad?

According to IRS data, “the richest 1% of Americans in 2006 garnered the highest share of the nation’s adjusted gross income for two decades” and “possibly the highest since 1929.” Meanwhile, “the average tax rate of the wealthiest 1% fell to its lowest level in at least 18 years.”

Boolah

So friend and writer Nancy Rawlinson has now committed herself to bloggery. The new blog will cover books/lit, publishing, MFA's and the creative process. Sure to be a nice companion to Maud Newton for the literary among you. So please check her out at Boolah.

pacific ocean blue

This just moved to the top of the queue for must have music!
Here's the blurb from Other Music:

Late Beach Boy Dennis Wilson’s ‘77 solo LP has long been heralded as a lost classic. Like Chris Bell’s “I Am the Cosmos,” Wilson’s album is considered a masterpiece in soul-baring, lonewolf pop, and here it’s reissued in a deluxe edition with unreleased tracks.

* side note: If you don't own the Chris Bell record, do yourself a solid and buy it now. It's essential.

What do you think is essential reading for the artist?

So this in an open call for a discussion about what you consider essential reading for the contemporary artist. Let's limit it to 5 titles - books or essays. These can be historic, contemporary, of any discipline. You can also include an artists monograph if you can explain why it is essential beyond your affinity to that artist's work, like perhaps the guest essay of that title.


I'd like to see what parallels are out there for artists that are online regularly via blogs, etc.
Also, I'm personally interested in uncovering any educational gaps that I might have. So please impress me with something other than total silence on the subject ;)

29 years ago....

The following from Jimmy Carter - 29 years ago. Some things never change, especially American amnesia.

CARTER: Point one: I am tonight setting a clear goal for the energy policy of the United States. Beginning this moment, this nation will never use more foreign oil than we did in 1977 -- never...

Point two: To ensure that we meet these targets, I will use my presidential authority to set import quotas...

Point three: To give us energy security, I am asking for the most massive peacetime commitment of funds and resources in our nation's history to develop America's own alternative sources of fuel...

I will soon submit legislation to Congress calling for the creation of this nation's first solar bank, which will help us achieve the crucial goal of 20 percent of our energy coming from solar power by the year 2000.

These efforts will cost money, a lot of money, and that is why Congress must enact the windfall profits tax without delay...

Point four: I'm asking Congress to mandate, to require as a matter of law, that our nation's utility companies cut their massive use of oil by 50 percent within the next decade and switch to other fuels, especially coal, our most abundant energy source...

Point five: To make absolutely certain that nothing stands in the way of achieving these goals, I will urge Congress to create an energy mobilization board...

Point six: I'm proposing a bold conservation program to involve every state, county, and city and every average American in our energy battle. This effort will permit you to build conservation into your homes and your lives at a cost you can afford.

To further conserve energy, I'm proposing tonight an extra $10 billion over the next decade to strengthen our public transportation systems...

Our nation must be fair to the poorest among us, so we will increase aid to needy Americans to cope with rising energy prices. We often think of conservation only in terms of sacrifice. In fact, it is the most painless and immediate way of rebuilding our nation's strength. Every gallon of oil each one of us saves is a new form of production. It gives us more freedom, more confidence, that much more control over our own lives...

I do not promise you that this struggle for freedom will be easy. I do not promise a quick way out of our nation's problems, when the truth is that the only way out is an all-out effort. What I do promise you is that I will lead our fight, and I will enforce fairness in our struggle, and I will ensure honesty. And above all, I will act. We can manage the short-term shortages more effectively and we will, but there are no short-term solutions to our long-range problems. There is simply no way to avoid sacrifice.

Continued reading at A Tiny Revolution

I don't have time for noncontroversial art exhibits...

My love affair with boundary-pushing art began more than 10 years ago. Back then I had a ton of energy and a lot less responsibility. I had time for each and every marginally disgusting effrontery to common decency within a 50-mile radius. These days, my schedule is pretty packed. Take this week, for example. Monday: Abu Ghraib flip books. Tuesday: a blackface reenactment of the Reagan assassination attempt. Wednesday: drive upstate to watch an amputee roast and eat his own golden retriever. You get the picture. I swear, if my wife didn't spend her weekends making plaster sculptures of Catholic saints being fisted by famous serial killers, I'd never see her.

Bottom line: If people aren't protesting, becoming nauseated by, or threatening lawsuits against an artist's work, you can look around for me, but I'm not going to be there. Using light and shadow to mythologize the pastoral and create a setting where human beings and the natural world can coexist peacefully? Best of luck to you. If you need me, I'll be watching a heroin addict use his own HIV-positive blood to paint Hiroshima victims on the side of a school bus. You know, with all the other real art buffs.

The only thing these so called "masters" have in common is that they didn't have the balls to shake things up. Why would I waste my time solemnly staring at a meticulously painted portrait of an aristocratic woman when I can see someone drink glow-stick fluid and vomit onto a canvas covered with pictures of Nelson Mandela?

good laughs continue on at the Onion

summer reading

It's summer and I have been amped about getting through a ton of books if possible. Not having worked since April, I've plunged into studio life but also some 'home-schooling" of my own. In short, finishing the myriad books I've had my nose in for months - if not years :(

So here's my report on where I am so far at the mid-summer point.

Books finished:

• Storm World - Chris Mooney
• The Unbearable Lightness of Being - Milan Kundera
• Seeing is Forgetting The Name of the Thing One Sees (Robert Irwin) - Lawrence Weschler
• The Aesthetics of Decay - Dylan Trigg
• A Theory of Cloud/Toward a History of Painting - Hubert Damisch
• The Emigrants - W.G. Sebald
• The Rings of Saturn - W.G. Sebald
• The Emergence of Memory, Conversations with W.G. Sebald - Lynne Sharon Schwartz

Books currently trying to finish:

• Austerlitz - W.G. Sebald
• Searching for Sebald, Photography after W.G.Sebald - The Institute of Cultural Inquiry
• The Fate of Place - Edward Casey
• The Accursed Share - Georges Bataille
• Confessions of Nat Turner - William Styron
• Francis Bacon - Gilles Deleuze
• Holy Terror - Terry Eagleton
• Sticky Sublime - Bill Beckley
• What Painting Is - James Elkins

Books I hope to at least get started on by fall:

Feeling and Form - Susanne Langer (owned this for years and never cracked it)
Pictures and Tear: A History of People who have Cried in Front of Paintings - James Elkins
On the Road ( The Original Scroll) - Jack Kerouac ( a re-read of sorts)
The Purple Cloud - M.P. Shiel
Archeologies of the Future - Frederic Jameson
Presence of the Past - Rupert Sheldrake

It's a tall order for sure and I don't expect to get through all of these texts but I really want to. I'm not a particularly fast reader, I'm prone to underlining and re-reading pages. Still it seems doable despite my own reading idiosyncrasies. Of course, new things always come your way so this list is at best an ambling walk through the thicket

anatomy of a painting [1]

So for the first time, I'm going to attempt to be disciplined enough to chronicle a new work from start to finish. not every interval of change but enough to witness the lifespan of a painting.
This is the new "blank" canvas. Actually stretched linen, measuring 48 square. This piece has been in existence for roughly 6 months so it isn't exactly new but having done a few ground layers and some earlier tinkering on a composition, I decided to black it out and start over.

Typically, this is how it will begin. Me in a chair staring at the thing and then taping some preconceived ideas onto the surface. These range from photos, to color copies - or more evolved collages done by hand or in photoshop or both. I have a new sunlit room for the first time in years and I am already seeing the results on my mood and ability to feel the paintings out more. I'm excited to get into something decently sized as this. Already the kernel of the idea present in the xerox on the canvas has been discarded by my fickle intuitions :)

David Lynch and iphone

Too Weird for the Wire - Kevin Carey

I tried to come up with a title but the real title is perfect so there you go. This issue of The Washington Monthly has an incredible piece about how arcane white supremacist legal theories are showing up in Baltimore courtrooms - out of the mouths of African-American drug dealers.

No kidding and after reading this, you realize how spot on the The Wire is about streets of Baltimore. But the story goes way past anything Simon could write for the show. This is something that could only surface in America. I mean it is nuts and then nuts some more.

Here's an excerpt::

Judge Davis ordered the three defendants to be removed from the court, and turned to Gardner, who had, until then, remained quiet. But Gardner, too, intoned the same strange speech. "I am Shawn Earl Gardner, live man, flesh and blood," he proclaimed. Every time the judge referred to him as "the defendant" or "Mr. Gardner," Gardner automatically interrupted: "My name is Shawn Earl Gardner, sir." Davis tried to explain to Gardner that his behavior was putting his chances of acquittal or leniency at risk. "Don't throw your life away," Davis pleaded. But Gardner wouldn't stop. Judge Davis concluded the hearing, determined to find out what was going on.

As it turned out, he wasn't alone. In the previous year, nearly twenty defendants in other Baltimore cases had begun adopting what lawyers in the federal courthouse came to call "the flesh-and-blood defense." The defense, such as it is, boils down to this: As officers of the court, all defense lawyers are really on the government's side, having sworn an oath to uphold a vast, century-old conspiracy to conceal the fact that most aspects of the federal government are illegitimate, including the courts, which have no constitutional authority to bring people to trial. The defendants also believed that a legal distinction could be drawn between their name as written on their indictment and their true identity as a "flesh and blood man."

Read the full story by Kevin Carey here.

50% of NY's new voting machines flawed ?

Wired has another chilling piece on voting machine flaws that are just on time for the upcoming elections in September and November(Presidential).

Douglas Kellner, co-chair of the New York State Board of Elections, expressed frustration with the vendor, saying it appeared that Sequoia was using the state's acceptance testing process to find problems with its machines in lieu of a sound quality-control process.

But Sequoia isn't the only problem, according to counties who have reported receiving problematic machines from the state Board of Elections after the board was supposed to have tested and certified the machines. The Board of Elections is examining all of the new machines before sending them out to counties.

In Nassau County alone, the largest voting district outside of New York City, officials found problems with 85 percent of the 240 ImageCast machines it received so far -- problems that the county characterized in a letter as "substantial operational flaws that render them unusable or that require major repairs."

The county rejected 48 machines right at delivery, due to physical damage. Another 58 machines exhibited problems during testing, according to William Biamonte, the Democratic elections commissioner for Nassau County. [New York counties have two election directors -- one each from the Democratic and Republican parties -- to avoid charges of unfair elections.] Some of the latter machines, he said, shook dramatically when they were running and workers either had to shut them down or the machines shut themselves down from the vibration. Other machines had dead batteries or batteries that wouldn't hold a two-hour charge, as they were required to do.

Another 112 machines produced a "printer failure" error message. Biamonte says this was the result of a change Sequoia made to its firmware. He said that when he received his first batch of machines about a month ago, the machines had "horrific paper jams." To fix the problem, Sequoia loaded new firmware on the systems to speed up the printer, but in doing so disabled the USB port on machines, resulting in the "printer failure" error messages.

sports as the model world

German philosopher Peter Sloterdijk comments on the Tour de France in an interview with Spiegel.

SPIEGEL: The best-looking breasts, in general, are artificial. The strongest sexual performance is fueled by Viagra. Why are we getting so worked up about athletes doing the same thing?

Sloterdijk: There is an obvious reason: The relationship between sports and everyday life is like that between the holy and the mundane. It forms a model world, in which everything we know from the average world is intensified. The same values apply there as anywhere else, but in a more concentrated form. This is why the idea of pure performance is more important there than anywhere else. Fraud is normal in the gray zone of the normal, but in the model world it must be proscribed. This special world, framed by clear rules, is inherently designed as an artificial sphere of pure performance, which gives it a special mission. Our meritocratic society celebrates its contradictions within sports. For this reason it is, if you will, an innately transient zone. Athletes cannot be saints or priest, but they must at least live up to their reputation as heroes, and when they no longer can or want to, they become like everyone else -- and we can put them on welfare.

via Phronesisaical

your new FISA flow chart

Ok, so I'm still rather gripped by this legislation because frankly it scares me. Also because there continue to be excellent posts generated examining this bill. You do have to wonder, did Congressional staffs give this the same attention?

So for the latecomers to the issue or those simply confused/indifferent to it all , here is a handy flow chart examining and comparing the "old FISA" with the "new and improved FISA".

From Ketchup and Caviar:

The focus of change is the bolded red line marked “U.S. or non-U.S. Persons Located Inside or Outside the U.S.” Currently a warrant is required in this case. Notice the changes involving the bolded blue lines and text in the following chart:

continue reading Wes Alwan here and see if you can figure out how this new bill improves anything...

Seeing is Forgetting - Robert Irwin

One of the great pleasures so far this summer has been finally (after years) getting around to reading Seeing is Forgetting the Name of the Thing One Sees by Lawrence Weschler. This may well be the best book about an artist and their working method and evolution that I have ever read. If you interested in abstraction, this is pretty much required reading. You'll also get a nice little history on the formation of the L.A. art scene from the 1950's on which for an east coast artist, was quite intriguing and it certainly filled some gaps for me. This is a fast read (and great biography actually) with a lot of big ideas and I think some very fruitful fodder on how to approach one's work within your own studio dynamic. My interest and admiration for Irwin has gone off the charts to say the least, it has left a true and at times profound impression. If you teach, I think you need to get a copy of it.

Here's an excerpt regarding Irwin's relationship with his studio practice during his "late lines" period(1962-1964):

In the beginning all of this was not very considered. It was done very intuitively. My concentration was not real good. It was mostly a question of just staying in the studio and simply not going out. Whether I did anything or didn't do anything, whether I was able to work or not, I simply would not let myself leave. But after awhile, if you don't let yourself leave, then everything else begins to leave, that is, all of your other reasons or ambitions in being there; and if you're very fortunate, you might then reach a point of being completely alone in an intimate dialogue with yourself as acted out in the realm of the painting.

headin out for the weekend

Ben Turnbull: Bring Me the Head of Saddam Hussein, 2008.