The next installment of this intimate lecture series continues this Sunday. I encourage any readers to make it out or inquire about participating.So far so good with this fledgling effort.
Sunday, Nov. 2 @ 7:00 pm Bidonville Cafe in Fort Greene Willoughby Ave. (b/w Clermont & Adelphi) Bklyn, NY 11205 718.855.4515 G or C train to Clinton/ Washington and march north
Jordan's ideas stem from his prepubescent and high school experiences from there. They were the emotional basis for his desire to pursue art as a young adult. These ideas are expressed in scenes of various delusions of grandeur. He creates passive/aggressive and sometimes self-deprecating scenarios of heroism, glory, or ardor to illustrate these delusions.The content of his work focuses on adolescence, its persona, and its tendency toward dreams, melodrama, fantasy, and infatuation. The focus of those states of consciousness is motivated by the seemingly mystical energy of adolescent girls and their ability to inspire longing, elusive flirtation, clumsy acts of chivalry, and inevitable humiliation. Jordan also calls upon the psychic, social, erotic power of pop idolatry to realize the extent and scope of the delusional narrative.
"Some time ago I consciously chose to adopt a lackadaisical approach to the intellectual rigor of my art making. I'd decided that I was out to make work to amuse myself, not to communicate carefully crafted ideas about the world. By letting my brain go slack, I could accidentally create things which I could find pleasure in for myself -just as a sloppy hand can create a line which surprises it's owner. This has something to do with the structure of joke making, I think. My brain finds pleasure in the off-handed quip more than the finely crafted story, and finds littlejoy in telling the same joke twice.In retrospect, this may not have proven to be a very good tactic.
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